|Pixar Animation Studios|
|Type||Subsidiary of The Walt Disney Company|
|Founded|| 1979 as Graphics Group
February 3, 1986 as Pixar
|Headquarters||Emeryville, California, United States|
|Founder(s)|| Ed Catmull|
Alvy Ray Smith
|Key people|| Ed Catmull (President)|
John Lasseter (CCO)
|Industry|| CGI animation|
|Products|| Pixar Image Computer,|
|Parent||The Walt Disney Company|
Pixar has produced twelve feature films, beginning with Toy Story in 1995. It was followed by A Bug's Life in 1998, Toy Story 2 in 1999, Monsters, Inc. in 2001, Finding Nemo in 2003, The Incredibles in 2004, Cars in 2006, Ratatouille in 2007, WALL-E in 2008, Up in 2009, Toy Story 3 (to date, the highest-grossing animated film of all-time, grossing over $1 billion worldwide) in 2010, and Cars 2 in 2011. Eleven of the films have received critical and financial success, with the notable exception being Cars 2, which received substantially less praise than Pixar's previous films. As of February 2012, its films have made over $7 billion worldwide, with its $602 million average gross by far the highest of any studio in the industry. In addition, all of the films produced by Pixar are among the top 50 highest-grossing animated films of all time, with Finding Nemo (#27), Up (#44), and Toy Story 3 (#7) all in the top 50 highest-grossing films of all time.
Since the award's inauguration in 2001, most of Pixar's films have been nominated for the Academy Award for Best Animated Feature, with six winning; Finding Nemo, The Incredibles, Ratatouille, WALL-E, Up and Toy Story 3. Up and Toy Story 3 are two of only three animated films to be nominated for the Academy Award for Best Picture.
On September 6, 2009, executives John Lasseter, Brad Bird, Pete Docter, Andrew Stanton, and Lee Unkrich were presented with the Golden Lion for Lifetime Achievement by the Biennale Venice Film Festival. The award was presented by Lucasfilm founder George Lucas.
Pixar was founded as The Graphics Group, which is one third of the Computer Division of Lucasfilm that was launched in 1979 with the hiring of Dr. Ed Catmull from the New York Institute of Technology (NYIT), where he was in charge of the Computer Graphics Lab (CGL). At NYIT, the researchers pioneered many of the CG foundation techniques—in particular the invention of the "alpha channel" (by Catmull and Alvy Ray Smith); years later the CGL produced an experimental film called The Works. After moving to Lucasfilm, the team worked on creating the precursor to RenderMan, called REYES (for "renders everything you ever saw"); and developed a number of critical technologies for CG—including "particle effects" and various animation tools.
In 1982 the team began working on film sequences with Industrial Light & Magic on special effects. After years of research, and key milestones in films such as the Genesis Effect in Star Trek II: The Wrath of Khan and the Stained Glass Knight in Young Sherlock Holmes the group, which numbered about 45 individuals back then, was purchased in Feb 1986 by Steve Jobs shortly after he left Apple Computer. Jobs paid $5 million to George Lucas and put $5 million as capital into the company. A factor contributing to Lucas' sale was an increase in cash flow difficulties following his 1983 divorce, which coincided with the sudden dropoff in revenues from Star Wars licenses following the release of Return of the Jedi. The newly independent company was headed by Jobs, who served as Chairman and Chief Executive Officer of Pixar. Dr. Edwin Catmull served as Chief Technology Officer and Dr. Alvy Ray Smith as Executive Vice President and Director. In 2001, Edwin Catmull was named President of Pixar.
Initially, Pixar was a high-end computer hardware company whose core product was the Pixar Image Computer, a system primarily sold to government agencies and the medical community. One of the buyers of Pixar Image Computers was Disney Studios, which was using the device as part of their secretive CAPS project, using the machine and custom software to migrate the laborious ink and paint part of the 2-D animation process to a more automated and thus efficient method. The Image Computer never sold well. In a bid to drive sales of the system, Pixar employee John Lasseter—who had long been creating short demonstration animations, such as Luxo Jr., to show off the device's capabilities—premiered his creations at SIGGRAPH, the computer graphics industry's largest convention, to great fanfare.
As poor sales of Pixar's computers threatened to put the company out of business, Lasseter's animation department began producing computer-animated commercials for outside companies. Early successes included campaigns for Tropicana, Listerine, Life Savers and Terminator 2: Judgment Day. In April 1990 Jobs sold Pixar's hardware division, including all proprietary hardware technology and imaging software, to Vicom Systems, and transferred 18 of Pixar's approximate 100 employees. The same year Pixar moved from San Rafael to Richmond, California. During this period, Pixar continued its relationship with Walt Disney Feature Animation, a studio whose corporate parent would ultimately become its most important partner. In 1991, after a tough start of the year when about 30 employees in the company's computer department had to go (including the company's president, Chuck Kolstad), which reduced the total number of employees to just 42, Pixar made a $26 million deal with Disney to produce three computer-animated feature films, the first of which was Toy Story. At that point, the software programmers, who were doing RenderMan and CAPS, and Lasseter’s animation department, who made television commercials and a few shorts for Sesame Street, was all that was left of Pixar.
Despite the total income of these products, the company was still losing money, and Jobs often considered selling it. Even as late as 1994, Jobs contemplated selling Pixar to other companies, among them Microsoft. Only after confirming that Disney would distribute Toy Story for the 1995 holiday season did he decide to give it another chance. The film went on to gross more than $350 million worldwide. Later that year, Pixar held its initial public offering on November 29, 1995, and the company's stock was priced at US$22 per share.
Pixar and Disney had disagreements after the production of Toy Story 2. Originally intended as a straight-to-video release (and thus not part of Pixar's three-picture deal), the film was eventually upgraded to a theatrical release during production. Pixar demanded that the film then be counted toward the three-picture agreement, but Disney refused. Pixar's first five feature films have collectively grossed more than $2.5 billion, equivalent to the highest per-film average gross in the industry. Though profitable for both, Pixar later complained that the arrangement was not equitable. Pixar was responsible for creation and production, while Disney handled marketing and distribution. Profits and production costs were split 50-50, but Disney exclusively owned all story and sequel rights and also collected a distribution fee. The lack of story and sequel rights was perhaps the most onerous aspect to Pixar and set the stage for a contentious relationship.
The two companies attempted to reach a new agreement in early 2004. The new deal would be only for distribution, as Pixar intended to control production and own the resulting film properties themselves. The company also wanted to finance their films on their own and collect 100 percent of the profits, paying Disney only the 10 to 15 percent distribution fee. More importantly, as part of any distribution agreement with Disney, Pixar demanded control over films already in production under their old agreement, including The Incredibles and Cars. Disney considered these conditions unacceptable, but Pixar would not concede.
Disagreements between Steve Jobs and then Disney Chairman and CEO Michael Eisner made the negotiations more difficult than they otherwise might have been. They broke down completely in mid-2004, with Jobs declaring that Pixar was actively seeking partners other than Disney. Pixar did not enter negotiations with other distributors. After a lengthy hiatus, negotiations between the two companies resumed following the departure of Eisner from Disney in September 2005. In preparation for potential fallout between Pixar and Disney, Jobs announced in late 2004 that Pixar would no longer release movies at the Disney-dictated November time frame, but during the more lucrative early summer months. This would also allow Pixar to release DVDs for their major releases during the Christmas shopping season. An added benefit of delaying Cars was to extend the time frame remaining on the Pixar-Disney contract to see how things would play out between the two companies.
Pending the Disney acquisition of Pixar, the two companies created a distribution deal for the intended 2007 release of Ratatouille, in case the acquisition fell through, to ensure that this one film would still be released through Disney's distribution channels. (In contrast to the earlier Disney/Pixar deal Ratatouille was to remain a Pixar property and Disney would have received only a distribution fee.) The completion of Disney's Pixar acquisition, however, nullified this distribution arrangement. Unlike the earlier Pixar/Disney deal used for the earlier films, this one has the following caveats:
- Pixar is responsible for 100% of the production costs.
- Pixar owns the film and the rights to the characters.
- Disney is paid only a straight distribution fee.
Acquisition by Disney
Disney announced on January 24, 2006 that it had agreed to buy Pixar for approximately $7.4 billion in an all-stock deal. Following Pixar shareholder approval, the acquisition was completed May 5, 2006. The transaction catapulted Steve Jobs, who was the majority shareholder of Pixar with 50.1%, to Disney's largest individual shareholder with 7% and a new seat on its board of directors. Jobs' new Disney holdings exceeded holdings belonging to ex-CEO Michael Eisner, the previous top shareholder, who still held 1.7%; and Disney Director Emeritus Roy E. Disney, who held almost 1% of the corporation's shares. Pixar shareholders received 2.3 shares of Disney common stock for each share of Pixar common stock redeemed.
As part of the deal, John Lasseter, by then Executive Vice President, became Chief Creative Officer (reporting to President and CEO Robert Iger and consulting with Disney Director Roy Disney) of both Pixar and the Walt Disney Animation Studios, as well as the Principal Creative Adviser at Walt Disney Imagineering, which designs and builds the company's theme parks. Catmull retained his position as President of Pixar, while also becoming President of Walt Disney Animation Studios, reporting to Bob Iger and Dick Cook, chairman of Walt Disney Studio Entertainment. Steve Jobs' position as Pixar's Chairman and Chief Executive Officer was also removed, and instead he took a place on the Disney board of directors.
Lasseter and Catmull's oversight of both the Disney and Pixar studios did not mean that the two studios were merging, however. In fact, additional conditions were laid out as part of the deal to ensure that Pixar remained a separate entity, a concern that analysts had expressed about the Disney deal. Some of those conditions were that Pixar HR policies would remain intact, including the lack of employment contracts. Also, the Pixar name was guaranteed to continue, and the studio would remain in its current Emeryville, California location with the "Pixar" sign. Finally, branding of films made post-merger would be "Disney•Pixar" (beginning with Cars).
Jim Morris, producer of WALL-E, has been named general manager of Pixar. In this new position, Morris is in charge of the day-to-day running of the studio facilities and products. There were additional conditions laid out as part of the deal to ensure that Pixar remains a separate entity, a concern that many analysts had about the Disney deal :
- If Pixar pulls out of the deal, they must pay Disney a penalty of US$210 million.
- The Disney board would included include Steve Jobs.
- John Lasseter has the authority to approve films for both Disney and Pixar studios, with Disney CEO Robert Iger carrying final approving authority.
- The deal requires that Pixar's primary directors and creative executives must also join the combined company. This includes Andrew Stanton, Pete Docter, Brad Bird, Bob Peterson, Brenda Chapman, Lee Unkrich, and Gary Rydstrom.
- There will be a steering committee that will oversee animation for both Disney and Pixar studios, with a mission to maintain and spread the Pixar culture. This committee will consist of Catmull, Lasseter, Jobs, Iger, Cook, and Tom Staggs. They will meet at Pixar headquarters at least once every two months.
- Pixar HR policies will remain intact, including the lack of employment contracts.
- Ensures the Pixar name will continue, and that the studio will remain in its current Emeryville, California location with the "Pixar" sign.
- Branding of films made post-merger will be "Disney Pixar".
On April 20, 2010, Pixar Animation Studios opened a new studio in the downtown area of Vancouver, British Columbia, Canada. The roughly 2,000 square meters studio is primarily producing shorts and TV specials based on characters from Pixar's feature films. The studio's first production was the Cars Toons episode, "Air Mater".
While some of Pixar's first animators were former cel animators, including John Lasseter, they also came from stop motion animation and/or computer animation or were fresh college graduates. A large number of animators that make up the animation department at Pixar were hired around the time Pixar released A Bug's Life and Toy Story 2. Although Toy Story was a successful film, it was Pixar's only feature film at the time. The majority of the animation industry was, and is still located in Los Angeles, California, while Pixar is located 350 miles north in the San Francisco Bay Area. Also, traditional 2-D animation was still the dominant medium for feature animated films.
With the death of Los Angeles–based animators willing to move their families so far north, give up traditional animation, and try computer animation, Pixar's new-hires at this time either came directly from college, or had worked outside feature animation. For those who had traditional animation skills, the Pixar animation software (Marionette) is designed so that traditional animators would require a minimum amount of training before becoming productive.
In an interview with PBS talk show host Tavis Smiley, Lasseter said that Pixar films follow the same theme of self-improvement as the company itself has: with the help of friends or family, a character ventures out into the real world and learns to appreciate his friends and family. At the core, Lasseter said, "it's gotta be about the growth of the main character, and how he changes."
Pixar has been criticized for its lack of female protagonists. Brave, Pixar's 13th cinema release, is the studio's first with a female lead (voiced by Kelly Macdonald). By the MPAA, most of the films are rated G, while three of them are rated PG (The Incredibles, Up, and Brave). However, the G-Rated Cars 2 contains violence and rude humor, which was a controversy in 2011. Also, except for Cars 2, the film have had positive reviews, with 10 other films (the only exceptions being Brave and Cars) being above 90% on Rotten Tomotoes.
Sequels and prequels
Toy Story 2 was commissioned by Disney as a direct-to-video, 60-minute film. Feeling the material was not very good, John Lasseter convinced the Pixar team to start from scratch and make that their third full-length feature film. Toy Story 3 was the second big-screen sequel when it was released on June 18, 2010. Cars 2, the studio's third theatrical sequel, was released on June 24, 2011. On June 27, 2011, Tom Hanks implied that a fourth Toy Story movie was in the works, but this has not been confirmed by the studio.
Pixar states that they believe that sequels should only be made if they can come up with a story as good as the original. Following the release of Toy Story 2, Pixar and Disney had a gentlemen's agreement that Disney would not make any sequels without Pixar's involvement, despite their right to do so. In 2004, after Pixar announced they were unable to agree on a new deal, Disney announced that they would go ahead with sequels to Pixar's films with or without Pixar. Toy Story 3 was put into pre-production at the new CGI division of Walt Disney Feature Animation, Circle 7 Animation.
When Lasseter was placed in charge of all Disney and Pixar animation following the merger, he immediately put all sequels on hold; Disney stated that Toy Story 3 had been cancelled. However, in May 2006, it was announced that Toy Story 3 was back in pre-production, under Pixar's control when a new plot had been conceived.
Lasseter further fueled speculation on future sequels when he stated, "If we have a great story, we'll do a sequel". Cars 2, Pixar's first sequel not based on Toy Story, was officially announced on April 8, 2008. Monsters University, the prequel to Monsters, Inc. and Pixar's first prequel, was announced on April 22, 2010, for release on November 2, 2012. However, on April 5, 2011, it was announced that the film's release date had been pushed back to June 21, 2013 due to the success of Pixar films that are released in the summer, according to Disney distribution executive Chuck Viane.
Expansion to television
Toy Story was the first Pixar film to be extended into television, with the Buzz Lightyear of Star Command film and TV series. Cars was expanded to television via Cars Toons, a series of shorts (three to five minutes) running between regular Disney Channel shows and featuring Mater (the tow truck voiced by comedian Larry the Cable Guy).
Animation and live-action
All Pixar films to date have been computer-animated features (WALL-E has so far been the only Pixar film not to be completely animated, featuring a small live-action element). 1906, the live action film by Brad Bird about the 1906 San Francisco earthquake, is currently in development. Bird has stated that he was "interested in moving into the live action realm with some projects" while "staying at Pixar [because] it's a very comfortable environment for me to work in."
In 2008, Pixar announced Newt, a story about the last two blue-footed newts in existence destined to mate to save their species from extinction, scheduled for release in June 2012. This project was to be followed by the fantasy film The Bear and the Bow.
In April 2010, Disney/Pixar announced that, instead, The Bear and the Bow would be released first, under the new name Brave, followed by a sequel to the 2001 Pixar feature Monsters, Inc. later that year. Also, Newt was removed from the official Disney A to Z Encyclopedia supplement by chief archivist Dave Smith, who confirmed that the film had been cancelled. In May 2011, Pixar CCO John Lasseter implied that Newt had been shelved due to it having a similar plotline to Blue Sky Studios' film Rio.
The upcoming Monsters University film, a prequel to the 2001 film Monsters, Inc., will be followed by one film "about the inside of a girl's mind",and The Good Dinosaur, a film about a world in which dinosaurs never became extinct.
In April 2012, Pixar announced their intention to create a film centered on the Mexican holiday Día de los Muertos and to be directed by Lee Unkrich.
Up to late 2011, Jobs continueed in his role as chairman, and was also the company's CEO. Catmull remains president. Lasseter —a two-time Academy Award-winning director and animator— oversees all of the company's projects as Executive Vice President of the Creative Department. Other notable members of the executive team are Sarah McArthur (Executive Vice President of Production), Simon Bax (Executive Vice President and CFO), and Lois Scali (Executive Vice President and General Counsel).
Since December 2005, Pixar has held exhibitions celebrating the art and artists of Pixar, over their first twenty years in animation.
Pixar: 20 Years of Animation
Pixar held one such exhibition, from April to June 2010, at Science Centre Singapore, in Jurong East, Singapore. It was their first time holding an exhibition in Singapore.
The exhibition highlights consist of work-in-progress sketches from various Pixar productions, clay sculptures of their characters, and an autostereoscopic short showcasing a 3D version of the exhibition pieces which is projected through 4 projectors. Another highlight is the Zoetrope, where visitors of the exhibition are shown figurines of Toy Story characters "animated" in real-life through the zoetrope.
Pixar: 25 Years of Animation
Pixar celebrated 25 years of animation in 2011 with the release of its twelfth feature film, Cars 2. Pixar had celebrated its 20th anniversary with the first Cars. The Pixar: 25 Years of Animation exhibition was held at the Oakland Museum of California from July 2010 until January 2011. The exhibition tour debuts in Hong Kong, and was held at the Hong Kong Heritage Museum in Sha Tin, between March 27 and July 11, 2011.
- Toy Story (1995) (First fully animated film in CGI)
- A Bug's Life (1998) (First Pixar film to be released in 2.35:1 Widescreen)
- Toy Story 2 (1999) (Originally slated as a direct-to-video film)
- Monsters, Inc. (2001) (Nominated for the first Academy Award for Best Animated Feature)
- Finding Nemo (2003) (Academy Award winner 2004)
- The Incredibles (2004) (Academy Award winner 2005)
- Cars (2006; last Pixar film made before Disney's acquisition of Pixar)
- Ratatouille (2007; Academy Award winner 2008)
- WALL-E (2008) (Academy Award winner 2009)
- Up (2009) (Academy Award winner 2010)
- Toy Story 3 (2010) (Academy Award winner 2011)
- Cars 2 (2011)
- Brave (2012) (Academy Award winner 2013)
- Monsters University (Scheduled for a summer 2013 release)
- The Good Dinosaur (Scheduled for a summer 2014 release)
- Inside the Human Mind film (Scheduled for a summer 2015 release)
- Finding Dory (Scheduled for a fall 2015 release)
- Untitled Día de los Muertos film (TBA)
Short films ("Shorts")
- Main article: List of Pixar Shorts
- The Adventures of André and Wally B. (1984, Lucasfilm, prior to creation of Pixar)
- Luxo Jr. (1986, became the source of today's Pixar logo)
- Red's Dream (1987)
- Tin Toy (1988, Academy Award winner 1988)
- Knick Knack (1989)
- Geri's Game (1997, Academy Award winner 1997)
- For the Birds (2000, Academy Award winner 2001)
- Mike's New Car (2002, based on characters from Monsters, Inc.)
- Boundin' (2003)
- Jack-Jack Attack (2005, based on characters and situations from The Incredibles)
- One Man Band (2005)
- Mater and the Ghostlight (2006, based on characters from Cars)
- Lifted (2006)
- Your Friend the Rat (2007, based on characters from Ratatouille)
- BURN-E (2008)
- Partly Cloudy (2009)
- Dug's Special Mission (2009)
- George & A.J. (2009)
- Day & Night (2010)
- Hawaiian Vacation (2011, based on characters from Toy Story 3)
- Small Fry (2011, based on characters from Toy Story 3)
- Partysaurus Rex (2012, based on characters from Toy Story 3)
Feature film traditions
The Pixar Format
All Pixar features have a common theme. The setting of the film is always a world in which people/creatures/objects that are not commonly thought to have normal everyday lives live in societies resembling modern American society. For example:
- Toy Story, Toy Story 2 and Toy Story 3 — Toys come to life and live in a community in their owner's room while he's away.
- A Bug's Life — Insects live in harmony and have their own hierarchy and tiny little cities.
- Monsters, Inc. — Horrifying monsters live everyday lives in their own community. Scaring kids is just their day job.
- Finding Nemo — The ocean, like Earth's land mass, has its own cities, schools and communities ruled by fish.
- The Incredibles — Superheroes live among us and take ordinary jobs and have ordinary problems, such as a greedy boss or a troublemaking son.
- Cars and Cars 2 - Vehicles are by themselves without humans.
- Ratatouille - A rat visits Paris and wants to cook.
- WALL-E - Two robots fly to space.
- Up - An old man's house gets lifted by balloons.
- Brave- In a kingdom, a rebellious princess wants to live as freely as she desires.
John Ratzenberger (most widely known as the character Clifford Clavin from the television sitcom Cheers) is always a character voice, referred to by the studio as their "good luck charm". The following is a list of his roles in the first ten Pixar movies:
- Toy Story, Toy Story 2 and Toy Story 3 — Hamm (a piggy bank)
- A Bug's Life — P.T. Flea (the manager of a travelling insect circus)
- Monsters, Inc. — The Abominable Snowman (a yeti)
- Finding Nemo — a school of moonfish
- The Incredibles — The Underminer (A Supervillain)
- Cars — a Mack truck named Mack. This includes in-jokes parodying his use as a voice and characters in parodies of Toy Story ("Toy Car Story"), Monsters, Inc. ("Monster Trucks, Inc.") and A Bug's Life (using Volkswagen Beetles) and how the voice is the same during the credits
- Ratatouille - Mustafa, the head waiter
- WALL-E - John.
- Up - Tom the construction worker.
- Brave - Gordon.
He also voiced a character in the English dub of Spirited Away, overseen by John Lasseter. Actor Wallace Shawn also appears in multiple Pixar Films. He has become such a stable part of the company that he plays on its softball team.
Like John Ratzenberger (above), Joe Ranft had made the voice of characters in all of the Pixar films (until Cars, which was completed prior to his untimely passing and noted in the credits of the film). The following is a list of his roles in the first seven Pixar movies:
- Toy Story — Lenny the Binoculars
- A Bug's Life — Heimlich the Caterpillar
- Toy Story 2 — Wheezy the penguin
- Monsters, Inc. — additional voices
- Finding Nemo — Jacques the Shrimp
- The Incredibles — additional voices
- Cars — Red the firetruck and Peterbilt
Similar to George Lucas' 1138, the letter-number sequence A113 is an animation in-joke which appears in all Pixar films to date. It is a reference to one of the room numbers at CalArts (where several of the employees are alumni).
The Pizza Planet Truck
The Pizza Planet Truck which featured prominently in Toy Story appears in each of the Pixar films. The truck is noticeable for only showing the letters "Yo" (the only letters left from the car's brand; "Gyoza"- Gyoza is a Chinese Food/dish, not "Toyota" as is commonly thought.)
- Toy Story: Buzz and Woody get to Pizza Planet in this truck.
- A Bug's Life: As the two bugs are talking about seeing the light, the truck can be seen on-screen.
- Toy Story 2: The toys steal and drive the truck to the airport.
- Monsters, Inc.: At the end of the movie, Randall is thrown through a door and ends up in a caravan where he is mistaken for a gator. The caravan is next to the Pizza Planet truck. It also happens to be the same place as the one with the bugs (above).
- Finding Nemo: While the escape plan is being shown, as the bags of water cross the road, the truck drives past.
- The Incredibles: It can be seen on the freeway briefly towards the end of the film.
- Cars: The Pizza Planet truck is seen in the Life is a Highway scene and is also next to the Elvis car where Bob Cutlass and Darrell Cartrip are talking about the race towards the end of the film.
- Ratatouille: The truck is seen driving in the background of the sequence where Remy is chased by Skinner.
- Wall-E: Eve looks in the engine while she is looking for the plant.
- Toy Story 3: Lotso, Chuckles, and Big Baby ride on a Pizza Planet truck's rear bumper in the rain at night to get from Daisy's house to Sunnyside.
The Pixar teaser trailers since A Bug's Life consist of footage created specifically for the trailer, spotlighting certain central characters in a comic situation. Though similar scenes and situations may appear, these sequences are not in the films being advertised, but instead are original creations.
- A Bug's Life: All the insects from the circus troupe gather onto a leaf right before Heimlich bites the end of it off, causing them to fall.
- Toy Story 2: The green alien toys come up to a center with the claw coming down. First, the claw was carrying down "Toy Story" with the aliens doing their trademark "Oooh". Second, the claw brings down a "2" and with the aliens turning around and looking at the audience and saying "Twoooo". Then Woody and Buzz come up with little greetings.
- Monsters, Inc.: Sulley and Mike stumble into the wrong bedroom. (Also, in a preview shown before the first Harry Potter film, Sulley is shown playing charades with Mike, but Mike is unable to guess the phrase 'Harry Potter'. The clip never specifically mentions Harry Potter, but the end states that Monsters, Inc. is playing right next door.)
- Finding Nemo: Marlin asks the school of fish for directions and Dory scares them away.
- The Incredibles: An out-of-shape Mr. Incredible struggles to get his belt on.
- Cars: Mater, a rusty tow truck talks to Lightning McQueen after hitting and killing a baby bumblebee.
- Ratatouille: Remy, a grayish-blue rat steals a piece of cheese by a food cafe.
- WALL-E: Andrew Stanton talks about a time when they went to lunch in the summer of 1994 and had great ideas (Toy Story, A Bug's Life, Monsters, Inc., Finding Nemo and WALL-E) WALL-E pops out of his yellow body. Then, he makes a cube out of trash. Then, when he puts the cube into a cube of trash square, he looks up at the sky turning to night. Then he says "WALL-E (Walla-Eee!)"
Feature film inside references
In an homage to Ray Harryhausen, stop motion animation pioneer and designer of countless cinematic monsters, the restaurant in Monsters, Inc. is named "Harryhausen's."
- Alvy Ray Smith's Pixar History Page. Retrieved June 9, 2005.
- The Pixar Story. A history of Pixar, running from its origins and inspiration at Xerox PARC to success with Toy Story.
- Pixar Corporate FAQ. Retrieved June 9, 2005.
- The most accurate reporting on the creation of Pixar at Lucasfilm is the book "Droidmaker: George Lucas and the Digital Revolution" (2006).
- More information on Pixar can be found at The Pixar Wikia.
- Official Pixar Animation Studios website
- The Pixar Story: Dick Shoup, Alex Shure, George Lucas, Steve Jobs, and Disney, by Tom Hormby, January 23, 2006
- Pixar/Disney conference call (with audio)
- CNN's "Pixar dumps Disney"
- Wired Magazine: Welcome to Planet Pixar
- Pixar History
- The UK Register on Pixar
- Disney Buys Pixar for US$7 Billion
|This page uses content from the English Wikipedia. The original article was at Pixar. The list of authors can be seen in the . As with DisneyWiki, the text of Wikipedia is available under the GNU Free Documentation License.|